>
Shirley Collins >
Songs >
A Blacksmith Courted Me / The Blacksmith
>
Steeleye Span >
Songs >
The Blacksmith
>
Louis Killen >
Songs >
The Blacksmith
The Blacksmith / A Blacksmith Courted Me
[
Roud 816
/ Song Subject MAS607
; Master title: The Blacksmith
; Ballad Index K146
; VWML LEB/5/267/1
, RoudFS/S138060
; GlosTrad
Roud 816
; Folkinfo 2
; DT BLAKSMIT
, BLAKSMT2
; Mudcat 10786
, 17079
; trad.]
Maud Karpeles: Cecil Sharp’s Collection of English Folk Songs The Crystal Spring Ewan MacColl, Peggy Seeger: Travellers’ Songs From England and Scotland John Morrish: The Folk Handbook Roy Palmer: Folk Songs Collected by Ralph Vaughan Williams James Reeves: The Idiom of the People Stephen Sedley: The Seeds of Love Mike Yates: Traveller’s Joy Ralph Vaughan Williams and A.L. Lloyd: The Penguin Book of English Folk Songs
Phoebe Smith sang A Blacksmith Courted Me to Peter Kennedy in her home in Melton, Woodbridge, Suffolk, in 1958. This recording was included in 1994 on the Saydisc album Songs of the Travelling People. Another recording, made by Paul Carter and Frank Purslow in Melton in 1969 was included in 1970 on her LP Once I Had a True Love.
80 years old Tom Willett from Ashford, Middlesex, sang The Blacksmith Courted Me to Ken Stubbs in 1960 [VWML RoudFS/S393817] . This recording was included in 2013 both on the Willett Family’s Forest Tracks anthology A-Swinging Down the Lane and on their Musical Traditions anthlology Adieu to Old England. Rod Stradling noted:
This is a song much loved by English Gypsies; all of Roud’s 72 entries are from England and the majority of the named singers have Gypsy surnames. It appears only to be found in the southern half of the country—although that may just be the result of where collectors were active—and to have been rarely printed as a broadside; otherwise, I’m sure it would have been more widely known. This lack of broadsides may be the reason that this song has so many different textual forms—the oral tradition allowing for a wide range of versions.
Tom sings verses 2 and 3 as three line stanzas. This practice of omitting a second line is fairly common amongst country singers.
Another recording of Tom Willett singing The Blacksmith Courted Me, made in 1962 by Bill Leader and Paul Carter, was issued in 1963 on the Willett Family’s Topic album The Roving Journeymen. The album’s notes commented:
This widely known English love song has been noted by Cecil Sharp and many other collectors. A version with somewhat similar text and tune, collected by Ralph Vaughan Williams [in 1909 from Mrs Ellen Powell of Westhope near Weobley, Herefordshire, VWML RoudFS/S138060] , appears in the Penguin Book of English Folk Songs. (It was from yet another set of this song that Vaughan Williams adapted the hymn tune Monksgate, used for To Be a Pilgrim.) Mr Willett sings verses two and three as three line stanzas. This practice of omitting a second line is fairly common amongst country singers.
The interesting tune is handled in masterly fashion by the aged singer, and is perhaps the prize piece of the record. Basically it is an aeolian-type hexatonic (six-note scale) melody; the seventh step appears only once and then as a passing note merely, and constitutes what ethnomusicologists, borrowing a term from Chinese theory, called a ‘pyen’ note.
Shirley Collins recorded this song three times with each time quite different verses. The first version she learned from Phoebe Smith and she recorded it in 1963 as A Blacksmith Courted Me for her EP Heroes in Love. Like all tracks of this EP, it was included in her compilation Fountain of Snow and on the CD reissue of The Sweet Primeroses. Her original EP’s sleeve notes comment:
This well-loved lyric piece has often been collected, even very recently. […] Shirley’s tune is based on a recording of the singer Phoebe Smith, collected by Peter Kennedy. A textual variant of the blacksmith theme is found as the song Our Captain Calls, and versions of this have tunes similar to the present one. It is from a set of the latter that Vaughan Williams developed the hymn tune Monksgate. Shirley introduces the final half stanza from a version of Our Captain Calls collected by Sharp.
Later, this track was also included in the Topic anthology English Originals and on the Shirley Collins compilation The Classic Collection.
Shirley Collins’ second version with the generic title The Blacksmith is part of the Song Story (a.k.a. the Anthems in Eden suite) on her 1969 album Anthems in Eden. She is accompanied by a host of early instrument players. The whole Anthems in Eden suite was also part of her 1976 album Amaranth.
And Shirley Collins recorded The Blacksmith Courted Me a third time during the Adieu to Old England sessions, accompanied by her sister Dolly on piano. But this recording was shelved and had to wait until 1992 for restricted release on the EP accompanying the Ptolemaic Terrascope Magazine Vol. 10 and until 1992 for it becoming a bonus track of the For As Many As Will CD reissue. Both the Anthems in Eden version and this recording were also included in 2002 on Shirley Collins’ anthology Within Sound.
William Hughes sang A Blacksmith Courted Me to Ewan MacColl and Peggy Seeger in 1963 or 1966. This track was included in 2014 on Caroline Hughes’ Musical Tradition anthology Sheep-Crook and Black Dog. Rod Stradling noted:
It’s likely that this is quite an old song, even though its earliest collection was only in 1905—the line “So bring your witness in and I never will deny you” dates back to about 1672. It is certainly a song much loved by English Gypsies; all of Roud’s 77 entries are from England and the majority of the named singers have Gypsy surnames. It appears only to be found in the South—although that may just be the result of where collectors were active—and to have been rarely printed as a broadside; otherwise, I’m sure it would have been more widely known. As is so often the case with the Hughes family songs, there’s very little of the story’s narrative left, and all the verses are concerned with emotional drama and dialogue.
Queen Caroline Hughes sang A Blacksmith Courted Me to Peter Kennedy in her caravan near Blandford, Dorset, on 19 April 1968. This recording was included in 2012 on the Topic anthology I’m a Romany Rai (The Voice of the People Volume 22). Shirley Collins noted:
It certainly was a popular song with the Gypsy singers and is one of the finest love songs in the English tradition. Caroline invariably brought something intriguing to a song, and this is no exception, as she sings “he makes the sparkles fly all around my middle”.
Danny Brazil sang A Blacksmith Courted Me to Peter Shepheard at Over Bridge, Gloucester on 9 May 1966, Harry Brazil did it three days later at the same place, and Tom Brazil sang it to Peter Shepheard at Newent, Gloucester on 14 May 1966. Theses three recordings were included in 2007 on the Brazil Family’s Musical Traditions anthology Down by the Old Riverside. The anthology’s booklet noted:
This was also sung by Hyram and Lemmie [Brazil]—so it’s another Family favourite. It’s a song much loved by English Gypsies; all of Roud’s 51 entries are from England and the majority of the named singers have Gypsy surnames. It appears only to be found in the South—although that may just be the result of where collectors were active—and to have been rarely printed as a broadside; otherwise, I’m sure it would have been more widely known.
Another recording of Harry Brazil singing A Blacksmith Courted Me to Mike Yates in 1978 was included in 1979 on the Topic anthology of songs, stories and tunes from English Gypsies recorded by Yates, Travellers, and in 1998 on the Topic anthology My Father’s the King of the Gypsies (The Voice of the People Volume 11). He noted:
The Rambling Irishman is a popular and well-loved song among travellers, as is A Blacksmith Courted Me. Ewan MacColl and Peggy Seeger have identified a verse from the latter as being part of a 17th-century broadside, A Dialogue Between a Town Spark and His Miss, which Tom D’Urfey included in his Pills to Purge Melancholy (1719). Harry’s tune, as is usual, is similar to that found in Sussex by Ralph Vaughan Williams and subsequently used by him for his setting of the Bunyan him To Be a Pilgrim.
Sandra Kerr sang The Blacksmith in 1968 on The Critic Group’s Argo album The Female Frolic.
Louis Killen recorded The Blacksmith in 1968 for his 1973 LP Sea Chanteys. He also sang it in a live recording at Caffe Lena (owner Lena Spencer), Phila St., Saratoga N.Y., that was released on the 1972 album Welcome to Caffe Lena.
Barbara Dickson sang The Blacksmith in a live folk club recording made in 1969-73 on her 2013 “folk club tapes” anthology B4 Seventy-Four.
There are quite a lot of Steeleye Span recordings of The Blacksmith, too. The first two line-ups of Steeleye Span recorded it for their albums Hark! The Village Wait (1970) and Please to See the King (1971). On the first recording, Maddy Prior’s harsh tones are backed by Gay Woods’ softer harmonies between the verses. The second version is tougher and more radical with Martin Carthy’s slashing electric guitar chords instead of Gay’s concertina; Maddy sounds rather more vengeful than sad. The first album’s sleeve notes commented:
Collected in 1909 by Ralph Vaughan Williams from a Mrs. Powell in Herefordshire. Maddy collected this version from a number of texts in the Folk Song Journals. This Southern English song, like the better known Twanky-Dillo, uses the “blacksmith” as an epitome of virility with the hammer filling the bill as a phallic symbol. A close variant of this tune is used to the John Bunyan hymn, To Be a Pilgrim.
A live version of this song recorded in 1986 was released on the album Steeleye Span in Concert. Another live recording from The Forum, London on 2 September 1995 was released on the CD The Journey and a further live recording from Maddy Prior, Family & Friends Christmas tour of 1999 on the CD (but not the DVD) Ballads and Candles. Maddy Prior recorded another version of this song in 1992 for the Fellside anthology of English traditional songs, Voices; it was also included on the label’s 30th anniversary anthology Landmarks.
Dave Burland sang The Blacksmith in 1971 on his first Trailer album, A Dalesman’s Litany, and in 1996 on his CD Benchmark. He noted:
Both The Blacksmith and The Dalesman’s Litany describes the various spas and watering places in South and East Yorkshire like Barnsley, Rotherham, Hull and Halifax.
The Trugs sang The Blacksmith in 1971 on their Traditional Sound album And Boldly Go to Sea.
Planxty sang The Blacksmith in 1973 on their first, eponymous album Planxty. LAPD, Paul Brady and Mozaik sang it live at Vicar Street, Dublin in June 2012. The recording was released in 2014 on Andy Irvine’s album 70th Birthday Concert.
Andrew Cronshaw played the tune of The Blacksmith in 1974 on his Transatlantic album A Is for Andrew, Z Is for Zither.
Barry and Robin Dransfield played the tune of The Blacksmith on their 1976 Transatlantic album The Fiddler’s Dream. On the bonus CD of the 2004 re-issue of this album is a December 1975 BBC John Peel session recording.
Derek Sarjeant and Hazel King sang The Blacksmith on their 1976 album Hills & Dales. Derek Sargeant noted:
Versions of this song have been collected in Sussex, Essex, Herefordshire, Somerset and Dorset and noted in the Journals of the Folk Song Society. The tune used here was learnt orally and is a close relative of that commonly used for John Bunyan’s hymn He Who Would Valiant Be.
Pentangle sang The Blacksmith in 1989 on their album So Early in the Spring.
Jo Freya sang A Blacksmith Courted Me in 1992 on her Saydisc album Traditional Songs of England. She noted:
This glorious tune was adapted by Vaughan Williams from the singing of Mrs. Verrall, formerly of Monksgate, Horsham, Sussex in 1904. He used it for his setting of Bunyan’s Pilgrim (’He who would valiant be’) where it has now become immortalised as the hymn tune Monksgate. The blacksmith is sometimes a shoe-maker in variants collected in other parts of England. In a Herefordshire version the blacksmith has ‘his good black billycock on, decked with primroses’ which is somewhat more believable than the ‘He’s gone across the sea gathering primroses’ of verse 3. Another form of the song exists as Our Captain Calls which adopts the man’s viewpoint and raises the possibility that this is really an extended duet-type love song incorporating both songs.
Fernhill sang Blacksmith in 1998 on their Beautiful Jo album Llatai.
The Hamburg-based group Boreen sang The Blacksmith in 1997 on their CD Enchanted Ways.
Kathryn Roberts with Equation sang A Drummer Won My Love in 2001 on Ashley Hutchings’ “collection of dark traditional songs re-set in the present day”, Street Cries.
Hen Party sang The Blacksmith in 2002 on their WildGoose album The Heart Gallery. They noted:
“The very carrier that comes from him to her is a most welcome guest; and if he bring a letter, she will read it twenty times over, … and kiss the letter a thousand times together, and then read it.”
Lisa Knapp learned The Blacksmith from the singing of Maddy Prior. She sang in 2002 on Gerry Diver’s CD Diversions and in 2007 on her album Wild and Undaunted; this was also included on the BBC Radio 2 Folk Awards 2008 anthology.
Seriouskitchen sang The Blacksmith on their 2002 CD Tig. They noted:
Nick [Hennessy] first heard this sung by Maddy Prior who will always be, for him, the voice of English Traditional song. Having heard her when he was a child, it would be true to say that she was his first real experience of unaccompanied singing, and her impact has endured. The power of her voice and the ruthlessness with which she sings this song were of particular inspiration to his own style. This version is cooked up and served in a new spicy way…
Jane and Amanda Threlfall sang The Blacksmith on their 2002 CD Gown of Green and on their 2007 CD Revisited. They noted:
From the singing of Shirley Collins.
The Blacksmith was very popular in the South of England at the beginning of the 20th century.
There are two distinct tunes to the song. This version:of the melody was collected from Mrs Jones of Weobley, Herefordshire, in July 1909 by Ralph Vaughan Williams and Emma Leather [VWML LEB/5/267/1] . Vaughan Williams remarked at the time that the tune was very similar to that of Our Captain Cried All Hands. However, he failed to collect any words.
The betrayer is a shoemaker in some versions.
Alva sang A Blacksmith Courted Me in 2003 on their Beautiful Jo album The Bells of Paradise. They noted:
Ralph Vaughan Williams collected this song in 1909 from Mrs Verral of Monksgate near Horsham in Sussex. He was so fond of the tune that he set a hymn to it using the words of Bunyan’s Pilgrim (‘He who would valiant be’).
Lynch the Box sang Blacksmith in 2003 on their CD Summer’s Gone.
Martin Simpson played A Blacksmith Courted Me in 2005 on his Topic album Kind Letters. He noted:
The two instrumental pieces here are very different in nature. A Blacksmith Courted Me is well known as the air for To Be a Pilgrim, also known as Bunyan’s Hymn. This version is based largely on the singing of the English Gypsy, Phoebe Smith who can be heard on Veteran Records. I drove from Sheffield to Robin Hood’s Bay on one occasion, listening to nothing but her performance and I think it is amongst the most virtuosic pieces of English traditional singing. In the studio I played the recorded air to Nancy Kerr and asked her to imagine that she was accompanying an old lady singer. Her viola and violin performances move me enormously.
Jane and Amanda Threlfall sang The Blacksmith on their 2007 CD Revisited. They noted:
From the singing of Shirley Collins.
The Blacksmith was very popular in the South of England at the beginning of the 20th century.
There are two distinct tunes to the song. This version:of the melody was collected from Mrs Jones of Weobley, Herefordshire, in July 1909 by Ralph Vaughan Williams and Emma Leather [VWML LEB/5/267/1] . Vaughan Williams remarked at the time that the tune was very similar to that of Our Captain Cried All Hands. However, he failed to collect any words.
The betrayer is a shoemaker in some versions.
Maura O’Connell and Tim O’Brian sang The Blacksmith in 2009 on O’Connell’s acappella Sugar Hill album Naked With Friends.
Jon Boden sang A Blacksmith Courted Me as the 27 July 2010 entry of his project A Folk Song a Day. He noted in the blog:
Having studied Old Norse literature at university I’m interested in the idea that the character of the blacksmith (who crops up in many folk songs) may be an oral-tradition descendant of Volundr (or Weland) the smith—a very significant cult figure on Norse and Anglo-Saxon heathenism. Certainly blacksmiths in folk song seem to have a slightly ‘outlandish’ other-worldly feel to them, whether they are jilting lovers or severing hands of rival suitors.
Paul and Liz Davenport sang A Blacksmith Courted Me in 2011 on their Hallamshire Traditions album Spring Tide Rising. They noted:
Liz remembers being surprised to hear this tune being used for a hymn. The melody is famous as To Be a Pilgrim, a setting of Bunyan’s hymn which is no older than Vaughan- Williams editing of the s‘’English Hymnal’. Interestingly, Liz’s version uses the tune phrased; A,A,B,C whilst other traveller versions have it A,B,B,C. Unfortunately we can’t ask anyone in the family why this is the case.
David Gibb and Elly Lucas recorded The Blacksmith in 2012 for their debut CD Old Chairs to Mend.
Blowzabella sang Strange News as the title track of their 2013 CD Strange News. They noted:
Strange News is the traditional song The Blacksmith which was collected in southern England in the early 20th century; the tune at the end is the traditional English tune/song Lovely Joan.
Nick Dow sang The Blacksmith in 2013 on his CD Old England’s Ground. He noted:
Another one from the Gypsy Folk.
I heard a fragment of this round a campfire at Stow Horse fair. I’m not sure who the singer was because it was dark. We were camped at the north end of the Fair and I was invited along to join some of the Travellers round the fire because they heard that I was a singer. The more I sang old songs the more they decided to sing them back to me. This song is the standard words plus the last verse I heard on that night. Hearing the horses purring and seeing the firelight gleaming on the wagons and trailers round the field, and watching my wife Maily nursing a little Gypsy child as he fell asleep with the tune of The Blacksmith ringing out clear is a memory I will take to the grave.
Sonya Cohen Cramer sang THe Blacksmith in a 2014 recording on her posthumous 2024 anthology You’ve Been a Friend to Me. Reid Cramer noted:
This traditional English folk song, also known as A Blacksmith Courted Me, is a lament. Field recordings of various versions were collected in the south of England, including one sung by the Traveller Phoebe Smith, whose 1958 recording informed a later version by the singer and folklorist Shirley Collins. Other versions have been sung by Maddy Prior and Andy Irvine on records by Steeleye Span and Planxty, which Sonya grew up hearing.
Andy Turner sang The Blacksmith from the Penguin Book of English Folk Songs as the 25 September 2014 entry of his blog A Folk Song a Week. He sang Tom Willett’s version of The Blacksmith Courted Me as the 1 February 2020 entry of his blog A Folk Song a Week.
Damien O’Kane sang The Blacksmith on his 2015 album Areas of High Traffic. He noted:
This is most definitely a classic within the Irish tradition, which I remember listening to at a very young age. Songs by Andy Irvine, among many others like Planxty and De Dannan, were played a lot in our house and I developed a love for folk songs very early on. Irvine’s version of The Blacksmith still remains one of my favourites of all time. Certain songs shine through from my youth and this is one of them. It certainly takes me back ;-)
Kim Lowings and the Greenwood sang The Blacksmith in 2015 on their CD Historia.
Alasdair Roberts and David McGuinness sang A Blacksmith Courted Me in 2015 on Earth Records’ anthology celebrating Shirley Collins, Shirley Inspired….
Stick in the Wheel sang The Blacksmith on their 2015 CD From Here.
German duo The Hoodie Crows learned The Blacksmith from the playing of Andy Irvine. They sang it on their 2016 CD On the Wing.
Joshua Burnell sang The Blacksmith on 16 August 2017 in his “a folk song a week” song cycle. This was included in 2021 on his album Seasons Vol. 3 Summer. He noted:
Here’s yet another one I got from Hark! The Village Wait, and evidence I’m slowly but surely covering the entire album by accident. Steeleye Span was one of the first bands I discovered on vinyl LP as a student, and it had a big impact on me, making that bridge between the folk music I was just discovering and the rock music I had grown up with. Their first album with its edgy, garage-rock grain, pushed boundaries I didn’t even know existed and suddenly there were footprints I felt I could follow in.
Shortly after this unlikeliest of epiphanies, Steeleye Span announced they were coming to play in York at the Barbican. They were touring their Wintersmith album which I had completely fallen in love with (partly due to the Terry Pratchett collaboration), so it was a no-brainer I just had to be there. It was every bit as epic as I could have imagined. They played all the belters from the new album and pretty much all the classics from their back catalogue I could have dreamt of, including The Blacksmith.
As I walked out of the auditorium, buzzing and star-stricken, I looked to one side… and there was Maddy Prior, casually strolling out to meet her audience. Anyone who has met her will tell you how down-to-earth and good-humoured she is (I guess that’s the secret to maintaining such a long career). We were having a natter and I said I was getting into singing folk songs and that I wanted to sing The Blacksmith, but wasn’t sure if I could get away with singing a love-song that is told from a woman’s perspective. She answered me with a question: “Aren’t we always being actors when we sing folk songs, so does it really matter?”
It seems so obvious now, but as a naive and nervous fledgling folk singer, this was exactly the nudge-out-of-the-nest I needed. And who better from, but the very person who had inspired me to sing the song in the first place?
Brigid Mae Power sang The Blacksmith on her 2020 CD Head Above the Water.
TRADarrr sang The Blacksmith on their 2021 album Strange News!. Gemma Shirley noted:
So being pretty new to folk music I had no idea what a popular and well loved song this is. I first came across it one hungover Sunday morning at my parents-in-law’s house. Father-in-law was in the habit of getting the vinyl out while we waited for Guy to awake and educating me in folk music by playing me the most obscure things he could dig out When Steam Came to the Fair and a charity shop find about cycling called Rump Up spring to mind. This came along with the more usual Watersons and Copper family until one Sunday he put on Anthems in Eden by Shirley and Dolly Collins and I was immediately entranced.
Back in the 60’s the in-laws ran a folk club in Northampton. As it turned out The Blacksmith was Mother-in-law’s song of choice to perform. It also turned up that year as an arrangement in the Associated Board of the Royal Schools of Music grade 2 singing syllabus-the universe had spoken…
I came up with the melody in the back of the car on the way to Blandford Forum where Guy [Fletcher] and PJ [Wrigth] were playing at Wessex Acoustic folk club. It seemed to lend itself to something with different sections as the emotions change through the song and I wanted to give the protagonist scope for a more visceral reaction to her unfaithful lover. The singalong “Ohs” came first and what starts as a plaintive lament grows into something more vengeful, maybe even murderous….with congas!
Georgia Shackleton learned The Blacksmith from the singing of Phoebe Smith, and sang it on her 2023 album Harry’s Seagull. She noted:
Collected by Peter Kennedy from the singing of Phoebe Smith, Jasper’s sister, from her home in Woodbridge, Suffolk. A very widely sung song, hailed by Shirley Collins as ‘one of the finest love songs in the English tradition’. I love the strength, and sense of sisterhood in the final verse.
Rachael McShane and The Cartographers sang The Blacksmith on their 2025 album Uncharted. She noted:
Ian [Stephenson] and I put this, and a few other songs together for a special concert to celebrate Vaughan Williams 150 years after his birth. It sounds like Vaughan Williams was a fan of The Blacksmith, and collected various different melodies for it. This one is definitely a winner, I just love it. This is a really stripped back arrangement for us but the simplicity gives space for Ian’s guitar playing to really shine.
Lyrics
Phoebe Smith sings A Blacksmith Courted Me
For a blacksmith he courted me, just nine months or better
Until he won my heart, wrote to me a letter.
With his hammer in his hand, strikes his blows so neat and clever
And if I were with my love, I’d live forever.
Now he talks about going abroad, fighting for strangers
And he’d better stay at home, and keep from all dangers
For you stay at home with me, my dearest jewel
And you stay at home with me, and don’t prove cruel.
My true love’s gone across the sea, gathering fine posies
My true love’s gone across the sea, with his cheeks like roses
I’m afraid that broiling sun will spoil his beauty
And if I was with my love, I would do love’s duty.
For it’s once I had gold in store, they all seemed to like me
But now I’m low and poor, they all seem to slight me.
For there ain’t no belief in a man, nor your own brother
So it’s: girls, whenever you love, love one each other.
Tom Willett sings The Blacksmith Courted Me
O the blacksmith courted me
O for six months and better
O when he first gained my heart
he wrote to me a letter
With his hammer all in his hand
and he strikes so mighty and clever
Then if I was with my love
I should do my duty.
O my love is gone across those fields
with his cheeks like the roses
I’m afraid the burning sun
O will scorch and spoil O his beauty
Then if I was with my love
I should live for ever.
Now bad news have come to town
that my love is married
But I wish him all most joy
O but he’s not here for to hear me
I shall never die for love
young man believe me.
“Do you know what you promised me
O when you first knowed me
O you promised that you’d marry me
you only done it to deceive me
My face looks pale and white
causes my poor heart for to wander
I shall never die for love
young man believe me.”
Shirley Collins sings A Blacksmith Courted Me on Heroes in Love
For a blacksmith courted me, nine months or better.
And he who gained my heart wrote me a letter.
With his hammer in his hand strikes his blows so clever
And if I was with my love, I’d live forever.
Now he talks of going abroad, fighting for strangers,
But he’ll stay at home with me and free from dangers;
I’m afraid the broiling sun might spoil his beauty,
And if I was with my love, I’d do love’s duty.
For when I had gold in store, you did invite me;
But now I’m low and poor, you mean to slight me.
For there is no trusting men, not my own brother,
And it’s girls, if you would love, love one each other.
But dry off your brandy tears, and leave off weeping,
For it’s happy we shall be at our next meeting.
Shirley Collins sings The Blacksmith on Anthems in Eden
O a blacksmith courted me, I loved him dearly.
He played upon his pipes both neat and trimly,
With his hammer in his hand he strikes so steady
He makes the sparks to fly all round the smithy.
I love to watch my love with his hammer swinging,
I love to hear it fall on the anvil ringing.
The note is loud and clear, the sparks are flying,
My love is handsome then, there’s no denying.
Where is my lover gone with his cheeks like roses?
He’s gone across the fields gathering primeroses.
The sun doth shine too bright, it’ll burn bis beauty
I will go seek my love to do my duty.
Strange news has come to town, strange news is carried,
Sad news flies up and down, my love is married.
I wish him well though he’s my love no longer,
And yet I love him still, my blacksmith yonder.
What’s the promise that you made me when you lay beside me?
You promised you’d marry me and not deny me.
It’s witness I have none but the Almighty,
And he will punish you for slighting of me.
I looked in a glass, my head I shaked,
To think I loved a lad who was false-hearted.
I wish him well to do, he does not hear me,
I shall not die for love, he need not fear me.
Shirley Collins sings The Blacksmith Courted Me on the For As Many As Will CD reissue
For a blacksmith courted me, oh, for nine months and better.
And he fairly gained my heart, he wrote to me a letter.
With his hammer all in his hand which he strikes so mighty and clever
And if I was with my love, I’d live forever.
There my love is gone across the fields, gathering primeroses,
There he goes across the fields with his cheeks like roses.
I’m afraid the burning sun, oh, would scorch and spoil his beauty
But if I was with my love, I’d do love’s duty.
Sad news has come to town, sad news is carried,
Sad news flies up and down that my love is married.
Still I wish him all both joy, oh, but he’s not here for to hear me
I shall never die for love, love none relieve me.
What’s the promise that you made me, oh, when you first knowed me?
You promised you’d marry me, you only said it to deny me.
Still I wish you all both joy, oh, but you’re not here for to hear me
I shall never die for love, now men don’t fear me.
Danny Brazil sings A Blacksmith Courted Me
A blacksmith courted me nine long months and better,
At first he won my heart wroted me a letter;
With his hammer in his hand, he strike both neat and clever,
If I was with my love I would live for ever.
“Don’t talk of going abroad, fighting for strangers,
You stay at home young man, free from all danger;
You stay at home young man, with your lovely jewel,
And fold me in your arms, love and don’t be cruel.”
“You promised to marry me when you first laid by me,
You promised you’d marry me love, you’d not deny me.”
“If I promised to marry you it was only to try you,
Go and fetch your witness here, love, I won’ deny you.”
“ O witness have I none, save the sky above me,
And you’ be rewarded well for the slighting of me.”
Her lips grew pale and white, it made her poor heart tremble,
To think she loved that one that proved deceitful.
“ Now when I had gold in store, you seemed to like me,
But now I’m low and poor, all you’re going to dislike me;
You courted me for a while, just to receive me,
But now my heart you have won, Love, you’re going to leave me.”
My true love’s across the sea, with a bunch of posies.
My true love’s across the sea, with his cheeks like roses.
I’m afraid the rising sun will spoil his beauty,
If I was with my love, I would do his duty.
Sad news have come to tell, sad news is carried,
Sad news have come to tell that my true love’s married;
I wish him well to-do, although he ain’t here to hear me,
I would never die for love, young girls, believe me.
Down on the ground she fell, syphing and crying
Throwing her arms abroad like one a-dying;
There is no belief in a man, if it’s your own brother,
So young girls when you love one, you love one each other.
Caroline Hughes sings A Blacksmith Courted Me
O I courted a blacksmith’s son, oh, nine months, oh, no longer,
Well, I proveded a child by he, oh, and that no other.
O Willie was his name, and that no other.
With the hammer in his hand, cold iron in t’other,
Well, he made the sparkles fly all around my middle.
O now, girls, If you proves in love, oh, love one each other.
Don’t chuck your hands abroad, oh, and chuck your hearts to thousands.
If you’re proper in love, love your own brother, too.
Well, I looked on into the glass; there my face was a-fading.
To think I loved a man which is so false-hearted,
And to think how I’d been served by loving of he.
O you’ll bring your witness, love. I blush like the roses.
O witness I’ve got none but my Lord All-a-mighty,
And won’t God punish you for slightening of me.
O my love’s gone across the fields fighting over strangers.
My love’s a *** the hills, love, all in danger.
Well I’m ’fraid that the sun’ll rise and spoil his beauty.
Now, young girls, you’re in love, love one each other.
Don’t chuck your hands abroad not to too many strangers,
And how happy I will be at our next now a-meeting.
(spoken:) A real Romany song. Every song I singing is a real Romany old-fashioned song.
Steeleye Span sing The Blacksmith
A blacksmith courted me, nine months and better.
He fairly won my heart, he wrote me a letter.
With his hammer in his hand he looked so clever
And if I were with my love I would live forever.
O where has my love gone with his cheeks like roses?
He’s gone across the sea, gathering primroses.
I’m afraid the shining sun might burn and scorch his beauty
And if I were with my love I would do my duty.
Lala lalala lalalalala
Strange news has come to town, strange news is carried.
Strange news flies up and down that my love is married.
O I wish them both much joy though they don’t hear me
And if I were with my love I would do my duty.
O what did you promise me when you lay beside me?
You said you’d marry me and not deny me.
If I said I’d marry you it was only to try you
So bring your witness love and I’ll not deny you.
Lala lalala lalalalala
O witness have I none save God Almighty.
And may He reward you well for the slighting of me.
Her lips grew pale and wan, it made her poor heart tremble,
For to think she had loved one and he’d proved deceitful.
(repeat first verse)
Boreen sing The Blacksmith
A blacksmith courted me, nine months and better.
He fairly won my heart, wrote me a letter.
With his hammer in his hand he looked quite clever
And if I was with my love I’d live forever.
But where is my love gone, with his cheeks like roses?
And his good black billycup gone decked round with primroses.
I’m afraid the scorching sun will shine and burn his beauty
And if I was with my love I’d do my duty.
Strange news has come to town, strange news is carried.
Strange news flies up and down that my love is married.
I wish them both much joy though they can’t hear me
And may God reward him well for the slighting of me
Don’t you remember when you lay beside me?
And you said you’d marry me and not deny me.
If I said I’d marry you it was only for to try you
So bring your witness love and I’ll not deny you.
O witness have I none save God Almighty.
And may He reward you well for the slighting of me.
Her lips grew pale and wan, it made her poor heart tremble,
To think she’d loved the one and he proved deceitful.
(repeat first verse)
Seriouskitchen sing The Blacksmith
A blacksmith courted me, nine months and better,
Well he fairly won my heart, he wrote me a letter.
With his hammer in his hand, oh he looked so good and clever
And if I were with my love, I would live forever.
I love to see my love with his hammer swinging,
I love to hear it fall on the anvil ringing.
For the note is loud and clear and sparks they go a flying,
My love is handsome then, there is no denying.
O but where is my love now, with his cheaks like roses,
And his big black billy cock on, decked with primroses?
Well I fear the shining sun would scorch and burn his beauty,
If I were with my love I would do my duty.
Strange news has come to town, strange news is carried,
Strange news flies up and down that my love is married.
I wish them both much joy though they do not hear me,
O if I were with my love I would do my duty.
What did you promise me when you lay there beside me?
O you said you’d marry me and you’d not deny me.
Well if I said I’d marry you, well it was only for to try you,
So bring your witness love and I will not deny you.
O but witness have I none, save God almighty
and may he reward you well for the slighting of me.
Well her lips grew pale and wan and her heart it did a tremble
To think she had loved one and he proved deceitful.
(repeat first verse)
TRADarrr sing The Blacksmith
A blacksmith courted me nine months and better
He fairly won my heart, wrote me a letter
With his hammer in his hand he looked so clever
And if I were with my love I would live forever
O where has my love gone with his cheeks like roses?
He has gone across the sea gathering primroses
I’m afraid the shining sun might burn and scorch his beauty
And if I were with my love I would do my duty
Strange news is come to town strange news is a-carried
Strange news flies up and down that my love is a-married
O I wish them both much joy though they don’t hear me
And if I were with my love I would do my duty
O what did you promise me when you lay beside me?
You said you’d marry me and not deny me
If I said I’d marry you ‘twas only to try you
So bring your witness love and I’ll not deny you
O witness have I none save God almighty
And may he reward you well for the slighting of me
Her lips grew pale and wan it made her poor heart tremble
To think she had loved one and he proved deceitful
(repeat first verse)