> Folk Music > Records > Colin Reid: Tilt
Colin Reid: Tilt
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   Tilt Topic Records TSCD530 (CD, UK, 2001)  | 
Recorded and mixed by Michael Keeney at Green Dolphin Studios, Belfast;
Produced by Colin Reid;
Photograph by Tom Howard;
Design and photo manipulation by The Art Surgery
Musicians
Colin Reid: guitar [1-4, 6-9];
Maire Breatnach: viola [1, 8, 11],
  violin [3];
Brian Connor: piano;
John Fitzpatrick: violin [1, 8];
Boo Hewerdine: vocals [9],
  :uitar [4];
Andrew Lavery: kit [5];
Gino Lupari: bodhrán [4],
  shaker [4];
Neil Martin: cello [1, 3, 6, 8-9, 11-12];
Oleg Ponomarev: violin [1, 6, 8, 11-12];
Eddi Reader: vocals [4, 9];
Alan Shields: double bass [5, 12]
Tracks
- Rocket (3.24)
 - Music for a Found Harmonium (3.57)
 - The Queen of Two Rooms (5.21)
 - Never Going Back (2.47)
 - Crimes Against Music Part II (3.09)
 - The Spanish Man (3.38)
 - Liam (2.59)
 - Rise (4.24)
 - Seed on the Wind (4.16)
 - Two Sticks (3.27)
 - Daedalus’ Lament (3.32)
 - The Clay Pigeon Rag (4.11)
 
All tracks written by Colin Reid except
Track 2 Simon Jeffs arr. Colin Reid;
Track 4 Lindsay Buckingham;
Track 9 Boo Hewerdine, Colin Reid
> Folk Music > Records > Colin Reid: Swim
Colin Reid: Swim
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   Swim Topic Records TSCD541 (CD, UK, 2003)  | 
Recorded and mixed by Michael Keeney at Amberville Studios, Cullybacky
and The Igloo, Belfast;
Mastered by Robyn Robins at Mid-Atlantic Digital, Enniskillen;
Produced by Colin Reid;
Sleeeve design and photography by John Haxby
Musicians
Colin Reid: guitar;
Liam Bradley: kit [3, 10];
Brian Connor: piano [3, 6, 10],
  Wurlitzer [2],
  Hammond organ [6];
Becky Joslin: cello [8, 11];
Neil Martin: cello [3, 6, 9];
Buffy North: violin [3, 8, 11];
Alan Shields: double bass [3, 10]
Tracks
- Samson and Delilah (2.00)
 - Small Steps (2.57)
 - Tilt (4.39)
 - The Secretive Agent (1.38)
 - The Fool’s Bridge (3.21)
 - This Broken Rapture (4.25)
 - Monster (1.48)
 - Cassandra (3.41)
 - Say Goodbye to the Riverbed (4.44)
 - Chase Tea (3.44)
 - The Tiger Lilies (5.07)
 - New England House (3.21)
 
All tracks written by Colin Reid

